Shola’s debut feature was a multimedia Film called A Moving Image, which received The Special Recognition Award at The Blackstar Film Festival in Philadelphia.It had its European Premiere at The BFI London Film Festival 2016 and was released theatrically in the UK in 2017 through Verve Pictures. I found it so cathartic. For me, definitely. But when I was growing up, it felt way more entrenched – the parameters for this were so tight. digs into the specific identity crisis of being a young black man of dual heritage in England. Set in the UK, Lincolnshire and London. This is an interesting mixture of styles. 5.0 out of 5. I was always questioning these parameters, and when are you allowed to break them or not – that sort of stuff. It’s quite interesting. The film follows Femi, a Nigerian immigrant who grows up separate to the more naturalised British-African children of London – due to his time being fostered in the English countryside. The tool will inform our understanding of virtual reality as a medium, and provide invaluable insights into how audiences experience VR. Naila Scargill is the publisher and editor of horror journal Exquisite Terror. There aren’t diverse people telling the stories. To celebrate the release of the critically-acclaimed new British film The Last Tree, we sat down with its from writer/director Shola Amoo and leading man Sam Adewunmi, to discuss the film, its cultural impact and its unique visuals that demand it be seen on the biggest screen possible. Through the user’s interaction, the audience are asked to examine perception and bias, interrogating the social death and dehumanisation of the marginalised and societal complicity. But ultimately we find beauty in those areas itself. There is a kind of wariness of the city throughout your work. Our work will further interest in the project from future investors and be part of an important public debate on racial violence and the power of VR to affect people’s perceptions and emotions.”. Director: Shola Amoo Writer: Shola Amoo . Rent £3.49 Buy £7.99 View in iTunes. See the complete profile on LinkedIn and discover Shola’s connections and jobs at similar companies. Writer / director, Shola Amoo alongside the cast of “The Last Tree” at Sundance London (Big Picture Film Club) In aiming to tell such a complex culturally-specific story, director & screenwriter, Shola Amoo has used his own lived experience to draw upon, this brings with it a level of authenticity and nuance which turns what would be a ‘good’ film into a brilliant film. It’s quite interesting. Shola: I found it so cathartic. I guess in some sense, yeah. The Caribbean would always get on to you for you being African, when it’s like… we all came from the same place, why are we…? Amoo Writer and director for film and television. Shola: For me, definitely. There was only so many things you could do to be perceived to be black, which I found so interesting. Did either of you find yourself trying to live up to a certain image? So I just said to my mum, ‘You need to change this. Countless [school] register situations where they were just butchering [my name]! Is that why you set the film at this time? At that time, that’s what he associates with the area. I was relating back to my teen years a lot, so that’s what felt authentic to that time and space. I think, ultimately, the way South London is depicted in the film in contrast can seem negative. Following a string of acclaimed shorts and a feature film exploring characters caught between urban and rural spaces, writer-director Shola Amoo’s latest work. But with Femi, it’s, like, a situation. But with Femi, it’s, like, a situation. I think that even probably continued past adolescence. But, could ever really pronounce it, and they would butcher it and I would get teased. I just feel like I’ve said so much about it, between The Moving Image and The Last Tree. In his semi-autobiographical film, The Last Tree, writer and director Shola Amoo tells the story of a Nigerian British foster child and his quest to find his place in the world and make sense of his roots. Posted Friday 20th September, 2019Text by Kambole Campbell, The film exploring masculinity and black British identity. Like, who told you! Sam: Literally the same name as my dad. Writer-director Shola Amoo and actor Sam Adewunmi are the rising talents behind brilliant London drama ‘The Last Tree’ By Phil de Semlyen Posted: Tuesday September 24 2019 Share Tweet The actor that played my dad, his name… that’s also the name of my dad. For me, the Lincolnshire portrayal has more of a kind of lush and warmth to it simply, because it’s from a child’s perspective. I just feel like I’ve said so much about it, between. I’m working on my relationship with my father so that moment in Lagos in that house it just felt quite…. Pond Life (Drama) Summertime, 1994. Just get people to call me Samuel.’ That scene where Dean’s teasing Femi, it’s not like Dean’s white. Shola has 3 jobs listed on their profile. Production booster funding supports advanced projects that are entering or already in production, which already have significant project funding or resource attached to them, and which offer important learning opportunities which can be fed back into the StoryFutures Academy programme. United Kingdom, Email: editors-at-trebuchet-magazine.com I think the progression is because they are confronted by their history every day in a way that we’re kind of insulated from sometimes. It almost felt deliberate after a while. But when I was growing up, it felt way more entrenched – the parameters for this were so tight. This concept of wearing a mask comes off at certain points, but you’re constantly having to navigate who you are against who you’re perceived to be. Femi is trying to chart his place in the world, and bring together these multitudes of identities to find a coalescence – in a way that. Anchored by a debut performance from Sam Adewunmi, Definitely. Since the open call in late 2019, 11 projects in total have been awarded funds. He's better known for THE LAST TREE, which came out last year, and which I'm looking forward to catching up on. It was such a bookend for an era of South London and being here in the UK – growing up and all the experiences. I n his electrifying debut, A Moving Image, Shola Amoo examined the impact of gentrification on his native Brixton, exploring the potential of art to be a political force.Two years later, the writer/director is back with his first narrative feature, which charts a British-Nigerian boy’s difficult coming of age. 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