Dinner Buffet. Giacomo Cassetti, the librettist of the Vivaldi work, had at least two other oratorios to his credit. Abra is a fictional "nurse" who demurely follows the widowed Bethulian queen Judith on her murderous mission. One copy of the libretto for Juditha identifies the soloists as Caterina, Silvia (b. Vivaldi : Juditha Triumphans, RV 644 | Antonio Vivaldi von Jordi Savall – Zum Download und Streaming auf Qobuz.com Recitativo - Ozias - Summi Regis In Mente. The Legend of the Invisible City of Kitezh, Juditha Triumphans – 'Veni, veni me sequere fida', Juditha Triumphans – 'Quamvis ferro, et ense gravis', Caravaggio (c.1598-99) Judith Beheading Holofernes [Oil on canvas]. 9, RV 230: II. Vivaldi - Juditha Triumphans - Jordi Savall (2019) La Capella Reial De Catalunya, Le Concert Des Nations, Marina De Liso, Marianne Beate Kielland, Kristin Mulders, Rachel Redmond, Lucía Martín-Cartón - Vivaldi - Juditha Triumphans - Jordi Savall Juditha triumphans 1716. Die in Wales geborene Altistin Hilary Summers hat einen herausragenden Namen als Barockinterpretin. Juditha Triumphansis being recorded live for CD release by ABC Classics, and is being broadcast live on ABC Classic FM on Monday 10 December. ‘Bach has his St Matthew Passion; Handel, his Messiah; and Vivaldi has his Juditha Triumphans.’ The Dutchman wanted to incorporate Caravaggio’s portrayal of Judith beheading Holofernes but didn’t know how to make that happen. They move Holofernes enough for him to take Judith’s bait, as he sings lovingly in “Sede, o cara” (“Come sit, my beloved”). Juditha triumphans wurde im November 1716 in Venedig komponiert und vom Orchester und Chor des Ospedale della Pietà uraufgeführt. The story of her bravery inspired dramatic paintings by the likes of Giorgione, Caravaggio, Gentileschi and Allori. By turns we find Holofernes, the Ottoman aggressor, to be angry, seductive, drunk, and betrayed. Im Sommer 2003 sang sie an der Kammeroper Schloss Rheinsberg den Hohepriester Ozias in Vivaldis szenischem Oratorium Juditha Triumphans, in den Jahren 2003 bis 2005 gehörte sie dem Opernstudio der Kölner Oper an, 2005 debütierte sie im Concertgebouw Amsterdam unter der Leitung von Edo de Waart in einer konzertanten Aufführung von Erwin Schulhoffs Oper Flammen. Courage triumphs in this allegorical oratorio. French mezzo-soprano Gaëlle Arquez debuts at Dutch National Opera in the role of Juditha. Few works by Vivaldi exhibit such a close coupling of political motive, text, and music. One is aware from the first few notes that this is a staunchly militaristic work: the trumpets greet us almost brazenly, the chorus reminds us at intervals that this is a work with the purpose, and it all ends as militantly as it began. Judith is acclaimed by the "chorus of virgins" in the closing piece, “Salve, invicta Juditha formosa” (“Hail Judith the Invincible”). Das Werk wurde von der Republik Venedig in Auftrag gegeben, um den Sieg gegen die Türken bei der Belagerung von Korfu im gleichen Jahr zu feiern. Music of sympathy and quiet persuasion falls to Abra. Vivaldi: Juditha Triumphans, RV644. 2 treble and 2 alto English viols, with Violone(8 above). The Venetians had lost the island of Crete at the end of the 21-year-long War of Candia (Heraclion) in 1669. 1692), Barbara, and Giulia. Listen to Juditha Triumphans by Coro della Radio Svizzera, Diego Fasolis, Duilio Galfetti, Guillemette Laurens, I Barocchisti, Manuela Custer, Roberta Invernizzi, Sara Mingardo & Tiziana Pizzi on Apple Music. advances of the Ottomans in and near the Balkans, https://wiki.ccarh.org/index.php?title=Juditha_triumphans&oldid=9815, Creative Commons Attribution-NonCommercial-ShareAlike. Larghetto, Juditha Triumphans, RV 644, pars prior: Chœur … This page intentionally left blank Choral Repertoire. Juditha Triumphans RV 644 Devicta Holofernis barbarie Sacrum Militare Oratorium Libretto: Cav. Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Magdalena Kozena, mezzo-soprano, Juditha Maria José Trullu, contralto, Holofernes Marina Comparato, soprano, Vagaus Anke Herrman, mezzo-soprano, Abra Tiziana Carraro, mezzo-soprano, Ozias Academia Montis Regalis Chamber Choir of the National Academy of Santa Cecilia. A renewed sense of vigilance, if not militancy, returns as the Bethulians are summoned in Vagaus’s aria “Armatae face et anguibus,” a “rage” piece calling forth images of snakes, “squalid savages”, and violent death. Ann Murray, Maria Cristina Kiehr, Susan Bickley, Sarah Connolly, Jean Rigby King's Consort, Robert King Each character in turn is introduced. Galleria Nazionale d'Arte Antica at Palazzo Barberini, Rome. Judith grabs her chance and decapitates Holofernes with his own sword. ), Estudios sobre la tradición épica occidental (Edad Media y Renacimiento). The great beauty of its arias and choral parts, the compact dramatic quality of its recitatives and the richness of instrumentation all single it out as one of the most intense and fascinating examples of the genre. This victory was short lived, however, as two years later Venice lost their seventh – and final – war with the Ottoman Empire, triggering the long decline of the once great maritime republic. Juditha Triumphans ; Cast; Hilary Summers; Hilary Summers Ozias. The restriction of the accompaniment to theorboes and harpsichords produces a crisp, thin sounds, but the steady rhythm and its rapid tempo simulate hurrying. The work was commissioned to celebrate the victory of the Republic of Venice over the Turks during the siege of Corfu. The number of ripieno string players varied with circumstances. The woman, Judith, begs him to spare the city and its inhabitants. Concerto en Ré majeur per la Solennità di San Lorenzo, RV 562: Andante – Allegro, Concerto en Ré majeur Op. Unlike the majority of oratorios, “Juditha Triumphans” does not feature a narrator, instead the drama unfolds through the actions of the characters, and thus has a similar dramatic structure and dynamic to an opera. Vivaldi introduces two chalumeaux to underscore the now subdued Turkish threat. The great beauty of its arias and choral parts, the compact dramatic quality of its recitatives and the richness of instrumentation all single it out as one of the most intense and fascinating examples of the genre. But while he lies asleep after too much food and wine, Judith cuts off his head and returns to Bethulia triumphant. A.VIVALDI "JUDITHA TRIUMPHANS" Judita - Rita Novikaitė (mecosopranas) Abra - Ingrida Laurinaitienė (sopranas) Holoferno - Julija Stankevičiūtė (mecosopranas) Vagans - Jurgita Žilinskaitė (sopranas) Ozias - Martynas Beinaris (baritonas) VDU MA mišrus choras (vad. "Juditha Triumphans", Oratorium RV 644 Libretto: Iacopo Cassetti. ‎Juditha triumphans, composed to celebrate the victory of the Republic of Venice ‎over the Turks during the Siege of Corfu (resulting from the defeat of the Ottoman Army by ‎Austrian troops in the Battle of Petrovaradin on 5 August 1716), represents the peak of ‎Antonio Vivaldi’s vocal music oeuvre. Venice prevailed. The Assyrian soldiers’ chorus “O quam vaga” (“How beautiful…”) signals the initiation of a plan of action. Chorus. The Pietà had one chorus, but it could obviously be divided into multiple groups. Consort of 4 Viole all’inglese, i.e. Magdalena Kozena, mezzo-soprano, Juditha Maria José Trullu, contralto, Holofernes Marina Comparato, soprano, Vagaus Anke Herrman, mezzo-soprano, Abra Tiziana Carraro, mezzo-soprano, Ozias Academia Montis Regalis Chamber Choir of the National Academy of Santa Cecilia. Cembalo ) incorporates the cello ozias juditha triumphans four theorbo parts with a vehement denunciation Jews! 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