balu in english

Balamurali Balu is a music director in Tamil film industry. [1][7] As a teenager, he was drawn towards films by his class teacher. [48] In spite of being a critical success, the film turned out to be a commercial failure. In 2018, Balu joined hands with director Santhosh P. Jayakumar to score music for the film Hara Hara Mahadevaki, which starred Gautham Karthik. Closely based on the 1984 American film Micki and Maude, the film is regarded as one of the best comedies ever made in Tamil cinema during the decade. Upon completion of his diploma, he entered Malayalam cinema as a cinematographer in the early 1970s. Mahendran developed a passion for photography and literature at a young age. [24] He is credited as being one among the earliest filmmakers to bring "naturalism" in Tamil cinema in the 1970s. While other directors never used Ilaiyaraja for their hindi remakes, Balu Mahendra was steadfast in persisting with Ilaiyaraja, in all the languages. [7][9] Though the filming of Nellu began in 1971, production delays postponed its release for three years. [29] The same year, he worked as the cinematographer of the Kannada film Pallavi Anu Pallavi, Mani Ratnam's debut film. Online news in english language. The music was well-received and appreciated for adding value to the quirkiness of the script. [40] The next year, he remade Mahesh Bhatt's Arth in Tamil as Marupadiyum. [42][43] The film received negative reviews and failed at the box-office. However, I used to get the top rank in cinematography, so the professor did not mind my going to other classes. [37] Mahendra was drawn towards realistic cinema after watching Ray's Pather Panchali (1955). [8][10], —Mahendra in an interview with Frontline in 2013[11], Right from his childhood, Mahendra was interested in fine arts and literature. [3][4] He is also an alumni from Berklee College of Music. [11] In 1969, Mahendra graduated from the institute with a gold medal. The music created a lot of attention, especially with the title song "Hara Hara Mahadevaki" becoming a viral hit. [20] After completing Mullum Malarum, Mahendra decided to work on his second directorial venture, this time in Tamil. [16], Despite being a Tamil, it was not until 1978 he worked in a Tamil film when he signed up as the cinematographer for J. Mahendran's directorial debut Mullum Malarum (1978). [44] It was aired in Sun TV during the early 2000s. [1] In Colombo, he worked as an amateur drama artist with Radio Ceylon and got acquainted with the Sinhala theatre groups. [27] At the end of the year, Mahendra won two Filmfare trophies for directing Olangal and Moondram Pirai. [25][39] During this time M. Night Shyamalan, then a newcomer, approached Mahendra to be the cinematographer for his directorial debut Praying with Anger to which he refused. [19] Apart from handling the cinematography, Mahendra involved himself in other aspects such as screenwriting, casting, editing and direction in the film. [8] With the success of Hara Hara Mahadevaki, Balu continued with blockbuster Iruttu Araiyil Murattu Kuththu,[9] his second collaboration with Jayakumar and Gautham Karthik. [41] It was reported that members of FEFSI had stopped the filming of Raman Abdullah as Mahendra was engaging outside cast members in the film. [16] He then made Raman Abdullah (1997), which deals with a friendship between two friends belonging to different religions. "I used to cut my cinematography classes and attend classes conducted in the departments of direction, screenplay writing and editing. Widely regarded as an auteur,[2][3] Mahendra usually scripted and edited his films apart from shooting them. [4][5] Born to a professor father,[6] he did his schooling at Methodist Central College and St. Michael's College, Batticaloa. Their equation was symbiotic & synergetic, with Ilaiyaraja, unfailingly churning out enviable chart busters, for Balu Mahendra. [37], Mahendra was equally praised for his cinematography and directorial finesse. While Veedu focused on the life of a lower middle-class urban woman and her struggle to build a house,[35][36] Sandhya Raagam dealt with "old age". Subrata Mitra, Satyajit Ray's cinematographer, presented a viewfinder to Mahendra acknowledging his talent. [9], After Raman Abdullah, Mahendra took a break from films during which he made Kathai Neram, a television series based on different short stories, mostly by Sujatha. Käpt’n Balu und seine tollkühne Crew (im Original TaleSpin) ist eine Zeichentrickserie mit anthropomorphen Tieren, deren 65 Episoden zwischen 1990 und 1991 als Teil des Disney Afternoons erstausgestrahlt wurden. [1] He had to take up cinematography as he could not gain admissions to other disciplines. Popular Tamil film producer K Balu has passed away. After working in over 20 films as a cinematographer, Mahendra made his directorial debut in 1977 with the Kannada film Kokila. Joe Biden sworn in as new US president amid Trump snub Joe Biden has been sworn in as the 46th US president, ending one of the most dramatic political transitions in American history. [50], In 2007, he started a film school named "Cinema Pattarai" in Chennai. "[54] Despite being critically acclaimed, the film was a commercial failure. [10] Mahendra had continued successes with films such as Prayanam (1975) and Chuvanna Sandhyakal (1975), both fetching the state award for best photography to him for the second consecutive time. He intended to collaborate with Raja in the 6 films, that he had already conceived, before icy death snatched him away. [2][31] He then worked on the Malayalam film Yathra (1985) with Mammooty in the lead role as a forest officer. He later composed the biographical film Traffic Ramasamy, based on the life of activist Traffic Ramaswamy. Made with "artistic values" the film earned ₹1.9 million (equivalent to ₹23 million or US$320,000 in 2019) and was the highest-grossing Malayalam film that year. Early life. However, P. N. Menon's Panimudakku (1972) got released before Maaya, thus becoming Mahendra's first release. [37][69] Although influenced by realism, his films Moodu Pani, Rettai Vaal Kuruvi and Julie Ganapathi heavily borrowed from American cinema. English (by Kyle Katarn) French (by Kyle Katarn) Czech (by Balu Tbj) Japanese (by maboroshin) Slovak (by Marian Hikanik) Slovak (by Igor Ruckert) German (by Rolf Wissmann) Chinese (by DWhite) Dutch (by Laurens de Vos) Greek (by geogeo) Polish (by Fresta) Italian (by Roberto Boriotti) Swedish (by Göran) This will be Ziva’s debut in the advertising world. The institute offers courses in disciplines such as cinematography, direction and acting. [9] After a brief hiatus from films, he made a comeback through Thalaimuraigal (2013), which marked his acting debut. [18] The film was both critically acclaimed and commercially successful. [78] The negatives of his acclaimed films—Moodu Pani,[79] Veedu, Sandhya Raagam, Marupadiyum and Sathi Leelavathi—are lost.[72]. Upon completion of school, he joined the London University and graduated with a bachelor's degree (honours) in science. Profile: Balu Masthi is a performing Karnatak Veena artiste who has been learning and playing Veena for many years from a young age. My main concern at that time was direction and scripting with a little bit of interest in cinematography. Made in Kannada, the film was a "triangular love story". [49] However, he ended up making a different film. [66], As a photographer, Mahendra was inspired by the works of Néstor Almendros and Michael Chapman. [30] He then came up with a full-length comedy Sathi Leelavathi in 1995 which was produced by Kamal Haasan. [10][13] At the institute he was exposed to world cinema as he got an opportunity to watch films made by François Truffaut and Jean-Luc Godard, both associated with the French New Wave movement. Following that, Mahendra wrote a series of "sentimental musings" in the Tamil magazine Kumudam under the title Shobavum Naanum (lit. Learn more. He was known for bankrolling films like Prabhu and Kushboo starrer Chinna Thambi under his banner KP Films. [26] In 1982, Mahendra made Moondram Pirai which had Kamal Haasan and Sridevi in the lead. He was a youth artiste in All India Radio during his childhood and is a graded AIR Veena artiste now. [1], Mahendra's passion for cinema prompted him to leave for India and join the Film and Television Institute of India, Pune in 1966. [68] A majority of his films centre on the complexity of human relationships and are known to portray women as strong characters. For his next film Adhu Oru Kana Kaalam (2005), he decided to cast Dhanush in the lead role. [10][11] He also owns Sonic Pro Studios, a music studio in Chennai. [58] Their relationship was explored by K. G. George (Mahendra's junior at the FTII) in his 1983 Malayalam film Lekhayude Maranam Oru Flashback. [25] Moodu Pani saw Mahendra collaborating with Ilaiyaraaja for the first time; Ilaiyaraaja was Mahendra's regular composer since then. Afterwards, Balu collaborated with Jayakumar for the third time with the Arya-starrer Ghajinikanth, a remake of the Telugu film Bhale Bhale Magadivoy. He was first married to Akhileshwari with whom he had a son. Apart from acting, he also scripted, directed, edited and served as the cinematographer of the film. [71] Lauded for usage of "natural lighting",[9][72] Mahendra was considered as "one of the few filmmakers in Tamil who believes in telling a story visually". [26] The following year, he collaborated with Rajinikanth to make Un Kannil Neer Vazhindal which turned out to be a commercial failure. Except the 1st two films, he collaborated with Ilaiyaraja consecutively, for 21 films. [56], Mahendra was married thrice. The film was about the relationship between an ageing man and his grandson. Along with Bharathiraja and J. Mahendran, he is regarded as a trendsetter in Tamil cinema. [15][32] By this time, he declined an offer to direct the Kannada film Malaya Marutha (1986). Balamurali Balu is a music director in Tamil film industry. [22] During this time he did the cinematography of K. Vishwanath's Telugu film Sankarabharanam (1979) which turned out to be a major critical and commercial success. [17] As a director who is known for making intense films, critics were surprised when he made Rettai Vaal Kuruvi (1987), a full-length comedy film. [24], Mahendra's third film as director Moodu Pani (1980) was loosely based on Alfred Hitchcock's 1960 film Psycho. It had a 300-day run in the theatres and was labelled a "blockbuster". He was the recipient of six National Film Awards (including two for Best Cinematography), five Filmfare Awards South and several state government awards. Prakash for many years. [9] Cinematographers like Santosh Sivan,[76] Ravi K. Chandran,[77] Natarajan Subramaniam and K. V. Anand have taken inspirations from him. [36] According to Mahendra, both the films were a tribute to his mother and father respectively. Initially he stated that the film to be an extension of his 1979 film Azhiyatha Kolangal. Great savings on hotels in Manāli, India online. The film's shoot became the epicentre of a dispute that arose between the Tamil Film Producers Council and Film Employees Federation of South India (FEFSI). The film had a 100-day run and won the award for the "Best Regional Film" at the 39th National Film Awards. [10][14] Ramu Kariat, the director of Nellu, was impressed by A View from the Fort, Mahendra's diploma film at the FTII. [1] Upon her death, the media speculated that Mahendra was responsible for her death. He was the recipient of six National Film Awards (including … [21] Although it was controversial for its theme, it was a box-office success. [2][67] He usually photographed, scripted and edited all his films. The film told the story of a school teacher who looks after a girl suffering from amnesia. Mahendra believed a "well-photographed movie is that which is very close to the script". [16] In addition to a Best Screenplay award from the Karnataka government,[17] Mahendra won his first National Film Award for Best Cinematography for the film. widowed definition: 1. used to describe a person whose husband or wife has died: 2. used to describe a person whose…. In 1966, he moved to India and gained admission to the Film and Television Institute of India (FTII) to pursue a course in motion picture photography. [57] The last rites of Mahendra were performed at Porur crematorium on the same day. [74] As a film-maker, he inspired contemporary actors and film-makers such as Mani Ratnam, Kamal Haasan and Sripriya,[75] He has mentored next generation film-makers including Bala, Ameer, Vetrimaaran, Ram and Seenu Ramasamy. [45], Following a five-year sabbatical, he returned with Julie Ganapathi (2003). Following a brief phase of poor health, Mahendra died of cardiac arrest in February 2014. [46][47] A review from Rediff.com stated, "Balu Mahendra has kept the flag of sensible cinema within the commercial format once again in his latest offering Julie Ganapathy" and rated the film as one of the best thrillers ever made. [1] He got his first break as a cinematographer in 1971 in the Malayalam film Nellu. [12], "Plasma processing of cellulose surfaces and their interactions with fluids", "Hess Group Alumni - Georgia Institute of Technology", "Interview of Iruttu Arayil Murattu Kuththu Music Composer - Balamurali Balu", "Berklee College of Music - Alumni Member", "Director Ashok talks about his first feature, the quirky 'Peechaankai, "Viral Hit: Hara Hara Mahadevaki- Official Video Song", "Iruttu Arayil Murattu Kutthu - Box office Success", "Rap Smash - Lady Kash & Balamurali Balu", "Villupaattu - Lady kash & Balamurali Balu", "Pallu Padama Paathuka, Tamil cinema's second zombie film", https://en.wikipedia.org/w/index.php?title=Balamurali_Balu&oldid=1001093170, All Wikipedia articles written in Indian English, Creative Commons Attribution-ShareAlike License, This page was last edited on 18 January 2021, at 06:05. [8] It was during this time he happened to see Bicycle Thieves (1948) and Battleship Potemkin (1925). He named the film Azhiyadha Kolangal (1979), which according to him was "partly autobiographical". Balu has collaborated with Lady Kash as a music producer in her albums Rap Smash and Villupaattu. Shoba and me). [8] When he was at the sixth grade, he got an opportunity to witness the making of David Lean's The Bridge on the River Kwai (shot in Sri Lanka) during a school field trip. Oreo Biscuits recently shared this news on their Instagram account. [5], In 2017, Balu got his first break in the Tamil film industry when he got an opportunity to score music for the critically acclaimed movie Peechankai. Stańczyk, właściwie Stańczyk na dworze królowej Bony po utracie Smoleńska (Stańczyk w czasie balu na dworze królowej Bony, kiedy wieść przychodzi o utracie Smoleńska) – obraz Jana Matejki z 1862.Obraz od 1924 znajduje się w zbiorach Muzeum Narodowego w Warszawie Balanathan Benjamin Mahendran (19 May 1939 – 13 February 2014), commonly known as Balu Mahendra,[1] was a Sri Lankan born Indian cinematographer, director, screenwriter and film editor who worked predominantly in Tamil cinema. [73] Kamal Haasan described that he was one of the few directors who balanced between art and popular cinema. Balanathan Benjamin Mahendran (19 May 1939 – 13 February 2014), commonly known as Balu Mahendra, was a Sri Lankan born Indian cinematographer, director, screenwriter and film editor who worked predominantly in Tamil cinema.Widely regarded as an auteur, Mahendra usually scripted and edited his films apart from shooting them. KB Films Balu, who had produced several films including Chinnathambi and Panchalankurichi, passed away last night at a private hospital in Chennai. [30] During this time, he made his second film in Malayalam titled Oomakkuyil. [1], Prior to his music career, Balu completed his PhD from Georgia Tech in the field of chemical engineering in 2009 [2] and worked as a process engineer with Intel Technologies. [33] The film would serve as a base for his future films Marupadiyum (1993) and Sathi Leelavathi (1995) which explored similar themes. [9] The film received positive response with Mahendra's acting being well acclaimed. The film fetched two National Film Awards including an award for cinematography for Mahendra. Since then, he directed over 20 films in a span of 36 years. In 2019, Balu composed music for Chikati Gadilo Chithakotudu, the Telugu remake of Iruttu Araiyil Murattu Kuththu, which marked his Telugu film debut. 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