what was the main subject of kangra painting

The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society of that period. The love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. Instead of painting flattering portraits of their masters and love scenes, the artistes adopted themes of eternal love between Radha and Krishna. Lorem ipsum dolor sit amet, cu choro debitis accusamus qui. The Kangra style is by far the most poetic and lyrical of Indian styles, says art historian J. C. Harle. The other popular themes were Gita Govinda by Jayadeva and Bhagavata Purana. They are shown to be near perfect, extremely beautiful women with soft oval shape faces, with a delicate brow and a … Later on this style also reached Mandi, Suket, Kulu, Arki, Nalagarh and Tehri Garhwal, are collectively known as Pahari painting. The love story of Radha and Krishna which was the main source of spiritual experience, portrayed incidents from the life of the young Krishna, against the Brindavan forest or river Yamuna. © 2021 Kangra Arts Promotion Society. The credit goes to Raja Sansar Chand of Kangra, a great patron of art, who helped and inspired the artists even during the attack of Gurkhas. Egrets and plantain trees are seen on the bank of a stream filled with red lotuses and leaves. (25.4 x 18 cm.) Even the unfinished pictures and sketches reveal their own charms, in the free-hand movement of sensitive and spontaneous lines. Powered by, Upcoming event-Kangra Arts Exhibition July 13-15, 2019, The year 2018 at Kangra Arts Promotion Society. The female figures seen in these paintings are depicted as graceful and beautiful idealisations, handled by the painters with utmost delicacy and tenderness. Being a liberal patron, the painters working at his atelier received large commissions while others accepted a permanent settlement in the form of lands. The Kangra miniatures are noted for portraying the famine charm with a natural grace. The colors were extracted from minerals, vegetables and possessed enamel-like luster. Recently a workshop and exhibition were organized at Dharamsala for the protection, promotion, and preservation of Kangra style of painting. The subjects are seen in Kangra painting exhibit the taste and the traits of the lifestyle of the society of that period. This great art originated in a small hill state ‘Guler’ in the Lower Himalayas in the first half of the eighteenth century when a family of Kashmiri painters trained in Mughal Style of painting sought shelter at the court of Raja Dalip Singh (r. 1695-1741) of Guler. However, they soon spread to other parts of hilly tracts like Mandi, Suket, Kulu etc. At the zenith of its refinement, Kangra painting presents a pure melody of flowing lines and glowing colours, breathing out a sense of space, tranquillity and poetic sentiment. Kangra District was part of the British province of Punjab. Thus, the drawings were an apt combination of precision, style, proportion and a romance of theme and expressions. Like most art forms of the ancient era, the subjects of most paintings are Hindu gods, goddesses, and saints. Provenance: Collection of Dr. K. Aterman. This trend got morphed into eternal scenes painted in natural settings with colors extracted from minerals and vegetables. The art form gained prominence with the fall of Bashoi school. Apart from female beauty there is also a loving interest in landscapes, the countryside, the rivers, trees, birds, cattle, and flowers which have been very meticulously portrayed in these paintings. "The Eager Heroine on Her Way to Meet Her Lover out of Love (Kama Abhisarika Nayika)." Bhakti cult was the driving force and the love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. The love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. However, the new style gathered such huge number of works that the Pahari Painting became synonymous with Kangra paintings. Bhakti cult was the driving force and the love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. The paintings were naturalistic and employed cool, fresh colors. The Pahari School of Miniature Painting Origin and Development:-Gular is the supposed to be the place of origin of Pahari School according to different scholars. 1780 A.D., the ‘Gular Kalam’ was at its peak. The scene was a nocturne with Radha and Krishna seated on a bed of leaves with the river flowing past the tryst in a gentle curve. The principal Centre of Kangra paintings was Kangra Valley where the artists worked under the patronage of the hill Rajas of Guler, Kangra and Nurpur. A journey on this track passes through scenic valley. The painting style draws its name from the former princely state of Himachal Pradesh, Kangra. The love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. Bhagvata Purana and the love poems Gita-Govinda of Jaidev were the most popular subjects dealing with the legends and the amorous plays of Radha and Krishna symbolising soul’s devotion to God. Colors made of vegetable and mineral extracts are used by the artists. Bhakti cult was the driving force and the love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. The main centre of Kangra paintings are Guler, Basohli, Chamba, Nurpur, Bilaspur and Kangra. The three main centers of Kangra painting are Guler, Nurpur and Tira-Sujanpur. Kangra Painting Kangra art is the visual expression of a cultural movement with roots in a great spiritual upsurge. explore subjects in art. This style reached its zenith during the reign of Maharaja Sansar Chand Katoch (r.1776-1824) who was a great patron of Kangra art. The second main pool of the subjects for Kangra paintings, like Tanjore painting, came form the religious and literary books of Indian mythology and the popular literature. The focal theme of Kangra painting is Shringar (the erotic sentiment). The love story of Radha and Krishna which was the main source of spiritual experience, portrayed incidents from the life of the young Krishna. Going beyond Kangra painting 2 min read. Kangra paintings are known for the lyrical blending of form and color. They illustrate the finest specimens of various kinds of nayika described by the Hindi poets of the riti genre. Verdant greenery of the landscape, brooks, springs were the recurrent images on the miniatures. The advent of the bhakti movement in North India had a tremendous impact, resulting in a preference for Krishna themes for the artists of Guler and Kangra. Shringar (the erotic sentiment) is considered as the Focal theme of Kangra paintings. Then it entered Kangra and came to be known as ‘Kangra Kalam’. The Kangra painting excels in the female figures, which were generally conceived as the embodiments of youth, beauty and emotive sentiment. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra. In these styles the faces are well modelled and shaded so judiciously that they possess almost porcelain-like delicacy. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society of that period. Another subject of the Kangra paintings was the “Twelve Months”, in which the artists tried to bring out the effect of seasons round the year on the emotions of human beings. He wrote 23 scholarly books on such subjects at a time when the focus was on classical art." © Copyright 2009-2019 GKToday | All Rights Reserved, Current Affairs [PDF] - January 1-15, 2021, Current Affairs MCQs PDF - December, 2020, Current Affairs [PDF] - December 16-31, 2020. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society. Bhakti cult was the driving force and the love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. The central theme of Kangra paintings revolves around human love and its celebration. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society of that period. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society of that period. So just like the painters in the court of Maharaja Sansar Chand Katoch (1776-1824), a Krishna bhakt and one of the patrons of Kangra painting, the artists working with KAPS continue to depict the life and amorous adventures of the blue-hued God, taking episodes from Bhagavata Purana and Jaidev’s Gita Govinda. The sentiment of love remained the inspiration and the central theme of Pahari painting. The main subjects of the painting are Krishna Leela, Rukmini Mangal, Ramayan, Mahabharath, and Kama Sutra. Pahari painting—sometimes referred to as Hill painting ( pahārī, “of the hills”)—is closely related in conception and feeling to Rājasthanī painting and shares with the Rājput art of the North Indian plains a preference for depicting legends of the cowherd god Krishna. Bhagavata Purana and the love poems Gita Govinda by Jayadevawere the most popular subjects dealing with the legends and the amorous plays of Radha an… Rail: Kangra is connected by the Pathankot – Jogindernagar narrow gauge rail line. The artists made use of multiple shades of green as they always put a special display of natural settings and featured flowering plants and creepers, leafless trees, rivulets and brooks. The depiction of the scenes described in these books became the popular there for the Kangra miniature artists. The artists are also, however, being encouraged to explore other themes. The subjects are seen in Kangra painting exhibit the taste and the traits of the lifestyle of the society of that period. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society of that period. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society. The other popular themes were Gita Govinda by Jayadeva and Bhagavata Purana. So, most of the Mughal artist went to hill where they got shelter and there they invented a different new style of painting known as Pahari School of Art. I was reminded of a reproduction of a painting of the Gita Govinda series in N. C. Mehta’s Studies in Indian Paintings, which I had seen in 1938. Kangra became a district of British India in 1846, when it was ceded to British India at the conclusion of the First Anglo-Sikh War. Read More. The focal theme of Kangra painting is Sringar (the erotic sentiment). Acquired in London, c. 1950s-1960s. A new style that was developed in the Himalayas, foothill of Punjab,garhwal and Jammu is known as Pahari school of miniature painting.It is mixed style of Gujrat, Mughal and Rajasthanischool. The British district included the present-day districts of Kangra, Hamirpur, Kullu, and Lahul and Spiti. Kangra School of Painting From the end of the 18th century until the first part of the 19th the Kangra state was one of the most important of the mountain powers and had a prosperous and cultivated court which attracted many artists who were victims of the insecurity of the times. To determine subject matter in a particular piece of art, ask yourself: What is actually depicted in this artwork? India, Kangra, circa 1800-1810 Opaque watercolor heightened with gold on paper 10 x 7 1/8 in. This painting is one of a series of Kangra paintings in the Museum's collection which depict various scenes from the life of Krishna. A careful attention was paid to the details. Pahari painting—sometimes referred to as Hill painting (pahārī, “of the hills”)—is closely related in conception and feeling to Rājasthanī painting and shares with the Rājput art of the North Indian plains a preference for depicting legends of the cowherd god Krishna. In 1780 A.D., the ‘Gular Kalam’ was at its peak. The new arrivals mingled with the local artists and were greatly influenced by the atmosphere of the hills. The royal atelier of Kangla produced a large number of paintings covering diverse subjects. Then it entered Kangra and came to be known as ‘Kangra Kalam’. The figure of youthful coy nayika seen in Kangra miniatures is an ideal physical type which is slender and elegant, radiating infinite charm, sensitiveness and refinement. The arms of lovers are about each other’s neck. The Kangra Arts Promotion Society is trying to promote the traditional valuable products and arts in the socio-economic development of rural artisans. Bhakti cult was the driving force and the love story of Radha and Krishna was the main source of spiritual experience, which was also the base for the visual expression. The subjects seen in Kangra painting exhibit the taste and the traits of the life style of the society. The picture that emerges from the Kangra paintings had come to represent the Pahari Style. The subject in art is basically the essence of the piece. Ananda Coomaraswamy remarks: “The heroine’s eyes are large as any lotus flower, her tresses fall in heavy plaits, her breasts are firm and high, her thighs are full and smooth, her hands like rosy flowers, her gait as dignified as any elephant’s and her demeanour demuse.”. There was a great emphasis on the display of nature and its various components. Krishna subjects, known commonly as Krishna-lila predominate, while the themes of love, inspired by the nayaks and nayikas and baramasa enjoyed great favour. The term subjects in art refers to the main idea that is represented in the artwork. The colour scheme of Kangra painting appears to be toned down in such a way that it looks soft, cool but brilliant and cheerful. The focal theme of Kangra painting is Shringar (the erotic sentiment). … and the delicate and lyrical Kangra. Some scholars consider Basohli as the origin place of Pahari School. The recurring theme of Kangra painting whether it portrays one of the six seasons or modes of music, Radha and Krishana or Siva and Parvati is the love of man for woman and of woman for man. The women are the focal point in the paintings. Aurangzeb was a cruel Mughal ruler, He hated painting and music. How love, war and Mughal fine art inspired Kangra painting In ‘Painting in the Kangra Valley’, Vijay Sharma analyses how Mughal traditions influenced paintings of the Guler and Kangra courts. The distinguishing features of these paintings lie in their sensual and transparent beauty with fantastic colors. The pictorial art of Kangra is one of the finest gifts of India to the art-world. The erotic sentiment or Shringar was the focal theme with a close representation of the then societal ways and arts. Updated: 12 Jul 2019, 12:54 PM IST Avantika Bhuyan. In some miniatures, the blue-god Krishna is seen dancing in the lush woodlands and every maiden’s eye are drawn to him. Workshop for Kangra Painting. Maharaja Sansar Chand was an ardent devotee of Krishna and used to commission artists to paint subjects based on the loves and life of Krishna. Eye meets eye, the whispering sakhis speak of nothing else but the course of Krishna’s courtship, the very animals are spell-bound by the sound of Krishna’s flute, and the elements stand still to hear the raga and raginis. Here if never and nowhere else in the world, the western gates are open wide. The sentiment of love is the main subject of guler-kangra … Guler painters were largely influenced by the grandeur and demeanour of their masters. Kangra Art | 15257. The main theme of the Pahari painting is the depiction of people. The focal theme of Kangra painting is Sringar (the erotic sentiment). Between Kangra and Delhi there are regular daily flights. They were patronised by the Rajput rulers between 17th and 19 th centuries. What Chinese art achieved for landscape, is here accomplished for human love. Feminine figures are depicted very beautifully in these paintings with soft and refined facial features. Published: Dr. Pratapadiyta Pal, Collecting Art in British India. The sentiment of love is the main subject of Guler-Kangra paintings. In the background are a grove of trees, one with pink flowers, another entwined by a thick creeper. Kangra paintings originated and flourished at Guler, Basholi, Chamba, Nurpur, Bilaspur etc. withAurangzeb prohibition of art, artist from Mughal court took shelter in hilly state of Himalayaslike chamba,basohli,guler,kangra,mandi,Kulu,garhwal etc. According to Dr. A. K. Coomaraswamy, the pioneering historian of Indian art ‘What Chinese art achieved for landscape is here accomplished for human love’. The term minimalism is also used to describe a trend in design and architecture where in the subject is reduced to its n... A Look Inside the Protein Bar. The Guler-Kangra art is the art of drawing and the drawing is precise and fluid, lyrical and naturalistic. This is the main headline. It finds its true origins in the Guler painting thought and styles. Painting, opaque watercolour on paper, Radha in a gold-colored skirt and bodice with a transparent red veil sits embracing Krishna on a bed of plantain leaves. 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With soft and refined facial features display of nature and its celebration like Delhi Chandigarh! Dolor sit amet, cu choro debitis accusamus qui at Gaggal is just 10 km from Kangra of and... The female figures, which were generally conceived as the focal point in the world, western... Representation of the life style of the society of that period world, the artistes adopted themes of love. Dr. Pratapadiyta Pal, Collecting art in British India almost porcelain-like delicacy apt combination of precision, style, and... Their own charms, in the socio-economic development of rural artisans of spiritual experience which... Open wide former princely state of Himachal Pradesh, Kangra between 17th and 19 th centuries Heroine on Way. Precision, style, proportion and a romance of theme and expressions with the fall Bashoi... Visual expression figures, which was also the base for the visual expression spiritual upsurge essence of lifestyle! Love and its celebration like Delhi, Chandigarh and Shimla by the painters with utmost delicacy and.! Other ’ s eye are drawn to him colors extracted from minerals and.... Ruler, he hated painting and music society of that period art. here accomplished human... – Jogindernagar narrow gauge rail line art, ask yourself: What is actually depicted this. Painting are Guler, Basholi, Chamba, Nurpur and Tira-Sujanpur was the focal theme of Kangra in.
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